Armenian Museum Will Preserve Rare Manuscripts With BofA Grant

Rare manuscripts at teh Armenian Museum of America in Watertown will be preserved with funds provided by a Bank of America grant. Pictured here: Kerry Miles, Art and Heritage Project Manager at Bank of America; Maryann Ekberg, Managing Director, Baernk of America Private Bank; Jason Sohigian, Executive Director, The Armenian Museum of America; and Michele M. Kolligian, President, The Armenian Museum of America. (Photo courtesy of Bank of America). The following announcement was provided by Bank of America:

As part of its Art Conservation Project, Bank of America provided a grant to the Armenian Museum of America of Watertown, Mass., to restore 21 illuminated manuscripts from its collection, one of which dates back to the 13th century, the museum announced this week. Bank of America selected the Armenian Museum of America as one of the 23 cultural institutions that have been named recipients of the 2023 Bank of America Art Conservation Project, a program that provides grants to nonprofit cultural institutions to conserve important works of art. 

This year’s recipients represent a diverse range of artistic styles, media, and cultural traditions across China, Colombia, France, Lebanon, Mexico, Singapore, South Africa, Sweden, the U.K. and the U.S.

The Armenian Museum of America has the largest collection of Armenian artifacts in the United States.

Armenian Museum’s New Exhibition Explores Issues of Dislocation & Cultural Identity

“Beirut Memory Project #56” (Digital Collage, 2018- 2021), Ara Oshagan features an individual looking out from among the bookshelves of a library that opens entirely onto a war-ravaged boulevard in Beirut. The following announcement was provided by the Armenian Museum of America

Using a variety of mediums from photography to film to collage, Ara Oshagan weaves geographies and spaces that consider the impact of borders on our personal collective history and the disruption of dislocation. Ara is a photographer and installation artist based in Los Angeles who has exhibited worldwide. Curated by Ryann Casey. The Armenian Museum of America (AMofA) recently announced the opening of its next contemporary art exhibition, “Ara Oshagan: Disrupted, Borders.” The show follows the AMofA’s blockbuster exhibit, “On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection,” which received rave reviews and was viewed by thousands of visitors. “Disrupted, Borders” at AMofA is an expanded version of what was previously exhibited at Stockton University Art Gallery in New Jersey, and the show is being curated by Ryann Casey.

Discuss the Future of Watertown Square, Tour Major Art Exhibit at Networking Event

Watertown Square

The following announcement was provided by the Watertown Business Coalition:

Come discuss the future of Watertown Square at the Watertown Business Coalition’s Coffee Connect on Wednesday, Feb. 15. The event is free and open to all. Representatives from the City of Watertown will be on hand to listen to business owners and residents about their vision for a revitalized Watertown Square. Also, hear about plans to create a cultural district in the center of town.

Armenian Museum Releases Music from ’40s & ’50s, Hosting Christmas Gallery Stroll

The following announcement was provided by the Armenian Museum of America:

The Sound Archive presents digitized versions of 78 rpm records from our collection. This month we are featuring record distributor Hrand Markar Tashjian. Tashjian was a trailblazer, taking matters into his own hands when Armenian music was almost impossible to get your hands on in the 1940s and 50s. He reissued out of print recordings from major labels on a series of his own imprints. This month’s post includes four digitized and restored songs: Yaylouges Gorav, Siroung Groung, Amen Hayr Sourp, and Vart. Special thanks to the SJS Charitable Foundation for their generous support of our work to digitize and share our collection of 78 rpm records.

Artists Speaking About Their Work in Armenian Museum’s “On the Edge” Exhibition

Some of the pieces in Armenian Museum of America’s “On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection.” From top left: Laddie John Dill, “Portrait of Joan, 2016,” hand blown and colored glass tubing, argon gas with mercury transformer, 60; Joe Fay, “Joan, 1984,” Prismacolor on Arches paper, 34” x 26; Gregory Wiley Edwards, “Expanded Resonance, 1992,” acrylic on canvas, 46″ x 69 3/4. The following announcement was provided by the Armenian Museum of America:

Join us on Saturday, Oct. 29 for a conversation with artists from “On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection.” Featuring artists Laddie John Dill, Gregory Wiley Edwards, and Joe Fay. Artist Panel 2:00 – 3:30 p.m.Reception 3:30 – 5:00 p.m.

Laddie John Dill gained notoriety with materials such as glass, metal, neon, and cement. His work embodies gesture and dynamic physical presence through its use of industrial materials.

Art from Many Major Artists to be Displayed at Armenian Museum in Watertown

The Armenian Museum of America will host an exhibition of artwork from some of the top artists of the late 20th Century called “On the Edge: Los Angeles Art 1970s – 1990s from the Joan and Jack Quinn Family. There will be a companion exhibition featuring Armenian artists. The Armenian Museum provided the following information:

This exhibition, our largest in 50 years, features more than 75 artists including Lita Albuquerque, John Altoon, Jean-Michel Basquiat, Lynda Benglis, Vija Celmins, Gregory Wiley Edwards, Frank Gehry, Helmut Newton, Ed Ruscha, and Andy Warhol.Curated by Rachel McCullah Wainwright. The companion exhibition, “Discovering Takouhi: Portraits of Joan Agajanian Quinn,” will include Armenian artists such as Dahlia Elsayed, Jean Kazanjian, Silvina Der Meguerditchian, Ara Oshagan, Zaven Sarkissian, and Aram Saroyan. Curated by Gina Grigorian and Natalie Varbedian.